Steve Tomlin
I see my work as ‘antipodean’ in the sense of having a foot on either side of the globe. It comes with a feeling of dislocation, of being neither here nor there, that is common to the migrant experience. Over the years this has provided me with a rich vein of inspiration and creativity.
My work has a deep connection and commitment to place, not simply the south coast of England where I grew up, nor the Australian bush, nor places visited overseas. These works translate the experience of all these places into a personal landscape of memory.
The images contain uncertainty and ambiguity, mystery and displacement, different orientations or perspectives: an uncertainty about what one is looking at or where exactly one is. I interpret these themes and motifs in a colour palette of positivity, optimism, and hope.
Cotter #2, 2021, Acrylic on canvas, 77 x 95 cm
Cotter #1, 2021, Acrylic on canvas, 77 x 95 cm
The pond #1, 2021, Acrylic on canvas, 76 x 76 cm
Dreamland: we cater for pleasure, 2021, Acrylic on canvas, 50 x 50 cm
Like it is, 2021, Acrylic and collage on canvas, 50 x 50 cm
Front door, 2021, Acrylic on canvas, 50 x 50 cm
Bromeliad and monstera, 2021, Acrylic on canvas, 80 x 80 cm
Somewhere in between, 2021, Acrylic and collage on canvas, 50 x 50 cm
Gerberas, 2022, Acrylic and oil on canvas, 76 x 76 cm
The pond #2, 2022, Oil stick on canvas, 76 x 76 cm
The quay, 2022, Oil on canvas, 50 x 50 cm
Christmas #2, 2022, Oil stick on canvas, 25 x 30 cm
The artist's studio, 2022, Oil stick on canvas, 50 x 50 cm
Anguish, 2022, Oil stick on canvas, 50 x 50 cm